Read Best Urdu Ghazal Collection, Famous Romantic Urdu Ghazal Shayari
Urdu Ghazal Shayari is the most loved form of Urdu Poetry. People love to read Urdu Ghazals and listen to them in songs in the melodious voices of famous singers. In this section, you can find a vast collection of Urdu Ghazals. Read Ghazals by your favorite Urdu Poets and the new collection of Urdu Ghazals Shayari to make your new favorites.
رکھیو بچا کے وار ابھی راستے میں ہوں
Mushtaq Bukhari - مشتاق بخاری
Rakhiyo Bacha Ke Waar Abhi Raste Mein Hun
اداس منظر یہاں وہاں سے لپٹ رہا ہے
Mushtaq Bukhari - مشتاق بخاری
Udaas Manzar Yahan Wahan Se Lipat Raha Hai
احساسِ کمتری نہیں ہے برتری نہیں
Mushtaq Bukhari - مشتاق بخاری
Ehsas-e-kamtari Nahi Hai Bartari Nahi
نظر نیچی قدم دھیمے کلام آہستہ آہستہ
Mushtaq Bukhari - مشتاق بخاری
Nazar Neechi Qadam Dheeme Kalaam Aahista Aahista
کہا جا چکا ہے سنا جا چکا ہے
Mushtaq Bukhari - مشتاق بخاری
Kaha Ja Chuka Hai Suna Ja Chuka Hai
نہ دوستوں کے درمیاں نہ دشمنوں کی زد میں ہوں
Mushtaq Bukhari - مشتاق بخاری
Na Doston Ke Darmiyan Na Dushmanon Ki Zad Mein Hun
کبھی کسی کی ذات سے کبھی کسی کی بات سے
Mushtaq Bukhari - مشتاق بخاری
Kabhi Kisi Ki Zaat Se Kabhi Kisi Ki Baat Se
چاند کا سودا طے کر کے پھر تارے بیچنے والے تھے
Mushtaq Bukhari - مشتاق بخاری
Chand Ka Sauda Tai Kar Ke Phir Taare Bechne Wale The
سُر بکھیرتی غزل میں نغمگی کا ذائقہ
Mushtaq Bukhari - مشتاق بخاری
Sur Bikherti Ghazal Mein Naghmagi Ka Zaiqa
وہ خود فریبی کے سلسلے تھے اداس ہونے سے تھوڑا پہلے
Mushtaq Bukhari - مشتاق بخاری
Woh Khud Farebi Ke Silsile The Udas Hone Se Thora Pehle
غلام آپ کا آج تنہا بہت ہے
Raaz Muradabadi - راز مراد آبادی
Ghulam Aap Ka Aaj Tanha Bahut Hai
کافر کہیں جسے، نہ مسلماں کہیں جسے
Raaz Muradabadi - راز مراد آبادی
Kafir Kahin Jise, Na Musalman Kahin Jise
میں گم گشتہ تیرے شہر میں رہتا ہوں
Sheikh Jawad Hussain - شیخ جواد حسین
Main Gum Gashta Tere Shahar Mein Rehta Hun
میں اُسی وقت اُسے اپنا بنا سکتا تھا
Sheikh Jawad Hussain - شیخ جواد حسین
Main Usi Waqt Use Apna Bana Sakta Tha
کیا ہم کمال رکھتے تھے
Sheikh Jawad Hussain - شیخ جواد حسین
Kya Hum Kamaal Rakhte The
دل لگا مجھے پھر بتا اور زوال کا بھی خیال کر
Sheikh Jawad Hussain - شیخ جواد حسین
Dil Laga Mujhe Phir Bata Aur Zawal Ka Bhi Khayal Kar
پھر جو ملنا ہی نہیں تھا تو آتے کیوں تھے
Sheikh Jawad Hussain - شیخ جواد حسین
Phir Jo Milna Hi Nahi Tha To Aate Kyun The
ہم نے جو رات کو چاند کی صورت دیکھی
Sheikh Jawad Hussain - شیخ جواد حسین
Hum Ne Jo Raat Ko Chand Ki Soorat Dekhi
کس کو سُنائیں حالِ دل کس کو کہیں فسانہ تیرا
Sheikh Jawad Hussain - شیخ جواد حسین
Kis Ko Sunain Haal-e-dil Kis Ko Kahin Fasana Tera
تجھ کو میں لکھتا عبادت تو کیا غلط ہوتا
Sheikh Jawad Hussain - شیخ جواد حسین
Tujh Ko Main Likhta Ibadat To Kya Ghalat Hota
تلاش کر پھر اُس راحتِ جاں کو کبھی
Sheikh Jawad Hussain - شیخ جواد حسین
Talash Kar Phir Us Rahat-e-jaan Ko Kabhi
میں عجیب شخص تھا کسی گام بھی رُکا نہیں
Sheikh Jawad Hussain - شیخ جواد حسین
Main Ajeeb Shakhs Tha Kisi Gaam Bhi Ruka Nahi
جب سے تُو نے ہمیں، پلکوں پہ بیٹھا رکھا ہے
Sheikh Jawad Hussain - شیخ جواد حسین
Jab Se Tu Ne Hamein, Palkon Pe Baitha Rakha Hai
رقص کُناں خلوتیں یہاں ساری خدائی خاموش
Sheikh Jawad Hussain - شیخ جواد حسین
Raqs Kunaan Khalvateen Yahan Saari Khudai Khamosh
Urdu Ghazal Poetry is a literary shape of Ghazal (Poetry), especially in South Asia. It is generally stated that the outspread of Ghazal in South Asia is due to the domination of Sufism and the Delhi Sultanate (Islamic Empire). A Ghazal is constructed from verses that are similar to pairs. Those couplets are connected in rhymes such as AA, AB, BA, DA, EA, and much more in a single verse. Traditionally, Urdu Ghazal settles in the consciousness of an impassioned, distressed lover that is found in his Shairi, and historians call it “The Ghazal Universe”.
A Brief History
Urdu and Hindi literature was not common till the 18th century (1700s). In North India, plentiful literary traditions existed in Branjbhasha and Awadhi with premature text before the 14th century. Muhammad Quli Qutb Shah founded the Hyderabadi Ghazals in the 17th century in three languages, i.e., Urdu, Persian, and Telugu. Then the Urdu Shairi came to its classical period.
Mir Taqi Mir led the way for Urdu Ghazals Poetry in the early 18th century by mingling Persian impacts with idiomatic and ordinary Urdu language. After that, many poets contributed to the Ghazal revolution, i.e., Ghalib, Zouq, Momin, Dagh, Zafar, etc. The Ghazal made its root in the 1857 war so strong that the Mughal emperors were Ghazal lovers. You can guess it by the fact that Bahadur Shah Zafar (Last Mughal Badshah) also wrote Ghazals while imprisoned by the British.
After that, Urdu poetry started to modernize, and Aligarh Movement gave it a push. Then they started preserving Urdu Ghazals, and Rekhta Foundation was the largest Urdu Ghazal protecting and preserving organization. A large number of people still like Urdu Ghazals and Urdu Shairi.
Parts of the Urdu Ghazals
Five parts of Urdu Ghazals are given below and describe the format of the Urdu Ghazals briefly.
Matla'a
It is defined as the first two lines that are called a couplet in Ghazals is called Matla'a.
Radif
It is the word repeated at the end of every verse. Radif literary means a ride in the back.
Ghaafiyeah
Ghaafiyeah literary means the ride behind. The same weight and the same sound words that come before Radif are called Ghaafiyeah.
Maktaa
The literary meaning of the Maktaa is to end. The last couplet of the ghazal where the poet uses his pseudonym to end the couplet is finishing Maktaa.
Behr
Behr is the name of a technique that sets the length of a ghazal.
Themes of Urdu Ghazal
Initially, the Ghazals were constructed on an exclusively religious theme. After modernization, it has many other themes such as Romantic Ghazals, Sad Ghazal, love Ghazal, breakup Ghazal, and many more.
Wholehearted & Superior Love Urdu Ghazals
Love is always regarded as an essential ingredient that is necessary to complete a human. If acquired, it will raise him/her to the heights of intelligence (wise). It will also bring pleasure to his/her soul. Traditional Urdu Ghazals have no explicit or sexual element in them, and the love was purely spiritual. Love was governed by a man or woman. Urdu Ghazals were depicted the poet's point of view of unreturned love and considered as unachievable.
Mostly, either the poets’ love had not come back, or the lover has returned his sincerity in such a way that was not allowed by the societal circumstances. The love knew everything and put all on fate but continued to love unconditionally. The tension of breakup drove the lyrics. The presentation of the lover’s helplessness to counter his feelings mostly comprises excessive violence-based lyrics. Romantics, sad, breakup, and such Ghazals fall in this category.
Sufism (Religious Urdu Ghazals)
Several ancient Urdu Ghazal poets either put the taste of Sufis (Such as Rumi and Hafiz) or were supporters of Sufi ideas. Most Urdu Ghazals' content is spiritual with Mat’la (Metaphor) for God or the worthy master. The extreme divine love with Sufism is obeyed as a role model for love Ghazal poetry. Nowadays, most scholars acknowledged that many Ghazal verses are solely about Divine Love (Ishq e Haqiqi). Remaining emphasis on earthly love (Ishq e Majazi). These Ghazals are mostly written and sung by Pakistani, Afghani, and Indians.
Urdu Ghazals started to form their roots in Arab and Indo-Pak in the 17th century due to the eternal work of poets, i.e., Rumi, Hafiz Mirza Ghalib, and many more. Among all, Ghalib is known as the master of Ghazals.
Well-Known Ghazal Poets
The top Ghazal writers are Rumi, Saadi Shirazi, Mirza Ghalib, Iqbal, Friedrich Ruckert, Agha Shahid Ali, Moti Ram Bhatta, and Hamza Shinwari. These poets belong to different areas such as Pakistan, Persia, Ottoman Empire, North India, Bengal, Germany, Kashmir, and Nepal.
Conclusion
Urdu Ghazals are known as the important heritage of the Urdu language. Since the 14th century, the number of lovers of poetry is increasing day by day. People love Ghazals because of the lyrics that depict their emotions. Above all, we have provided you a piece of concise information in such a short article. Stay connected for more information.